Joyous, she felt the need of physical expression; and her body began to sway sinuously, to glide and turn and twist about the room. Fate has two methods of procedure—the sudden and the long-drawn-out. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. And here, we may be permitted to offer an observation upon the peculiar and unaccountable influence which ladies of a shrewish turn so frequently exercise over—we can scarcely, in this case, say—their lords and masters; an influence which seems not merely to extend to the will of the husband, but even to his inclinations.
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