The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. It occurred to Ann Veronica once that she had known him when he was younger, but day had followed day, and each had largely obliterated the impression of its predecessor. Pain sliced into Gerald’s hand and his sword arm jerked. There were mysterious sounds, all of them musical. Too late, alas, to stop the disastrous marriage.
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