“Yeah, I know. Niece and aunt regarded each other for a moment over their pockethandkerchiefs with watery but antagonistic eyes, each far too profoundly moved to see the absurdity of the position. This is where my character, Lucia, is coming from. She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. If you can’t see as how there ain’t nothing in this barrack of a place to help me do the job, I can. “Oh God!” she cried, “Oh God!” and flung aside her opera-cloak, and for a time walked about the room—a Corsair’s bride at a crisis of emotion. It was a dark mysterious place, and what it was used for no one exactly knew; but it was called by those who had seen it the Well Hole. ’ ‘Addlepated imbecile, Hilary,’ corrected Gerald calmly.
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