The door into the passage offered itself with an irresistible invitation—the one alternative to a public, inexplicable passion of weeping. ‘But tell me this instead. Spurling was in a state of distraction and began to abuse Jonathan so violently that her future husband was obliged to lay forcible hands upon her and drag her away. Did he intend to kill her now, this instant? Or had she a moment or two to try to save herself? Recalling Leonardo’s dictum, she did not struggle, for that would only tighten the trap about her, and perhaps even spring it.
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